Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin?
What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots.
Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow.
Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear.
What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story. Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story.
What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.
Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours.
Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension.
Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work.
Guys, if you want to be a good artist and storyteller you need to absorb other media and influences beyond popular comics and movies and video games. Hell, even beyond visual art. Read novels, science articles, history books. Listen to podcasts, watch documentaries. Dip into different disciplines. Explore stuff outside your everyday. What you create and the pool of ideas you can pull out of is expanded by the knowledge you gain. Don’t do yourself a disservice by limiting your library. You never know when some weird shit you read about mushrooms could end up inspiring you or helping you solve a design/story problem.
With emotionally cold characters, they are going to have a wall of some kind between them and everyone else, whether it be physical or not. They’re cold and are emotionally stunted. There is a good chance that someone or something made that way and that it wasn’t something that just happened
And that makes them distrustful
A lot of the time, emotionally cold characters are not going to smile. They’re going to have grave expressions or frowns or are glaring. Or maybe they are going to be very serious. They may purse their lips or narrow their brows. Their eyes may be blank or harsh
Or it could be the opposite. For example, Esca is a cold, harsh person and he smiles a lot. But it is not a friendly smile. It is a knife’s edge and a weapon in it’s own right
They may also fold their arms. This shows a barrier between them and the other people. it shows them being defensive or opposing the other person or situation. They may stand apart from a crowd or not be involved at all
Their poster could be closed, with arms and legs crossed, their frame rigid. It shows their hostility, their distrust and aloofness
They could shove their hands in their pockets and smile mildly while their backs at straight and chin raised. The authority and Better Than You vibe puts them apart from everyone else
Cold characters always have an Air of Mystery around them, that always keeps people guessing their motives, their emotions. They will not reveal their plans quickly or easily
They will opt out of hugs for hand shakes, or even going so far as to not shake hands at all and keep their distance. They might slightly incline their head instead
When speaking, they speak in an even tone, or mildly. They will not raise their voice, show that kind of passion. It shows a refinity, the elegance of the icy demeanor. They likely do not laugh or cry and bury it all deep on the inside
They rarely speak about themselves and hold their secrets to their chests. They trade in secrets and only reveal things about themselves to people they trust, and even then, they may not reveal everything
They do not ask many questions, just the Need to Know. So often those questions are not going to be questions of a personal nature and will be more straight to the point. And they will rarely, if not, repeat themselves a second time
They will have very little qualms, if any, for hurting people, whether physically, verbally, or emotionally. They are already stunted in their own emotions and are not going to bother with sugar coating anything
And lastly, they are very practical, or realistic and ruthless in decision making. Emotions will not cloud their judgement. It could make them seem insane, or could very much risk their lives and without a feeling of precaution, it could get them very dead.
What if supernatural creatures don’t exist anymore? What if they did once, but through the years, they slowly mixed in with humans?
You can see the blood of fairies in the way a ballet dancer hovers in mid air before he or she hits the ground. You can see it in the way that middle school girl never forgets when someone makes her a promise. You can see it in how that one little boy in the kindergarten class seems more comfortable in the forest on that field trip than the others.
You can see the blood of dryads in hikers who never trip over roots. You can see it in that suburban grandmother never lets any of her garden die. You can see it in that one kid who climbs a tree faster than his friends, barely looking at the branches as he goes.
You can see the blood of naiads in the way a professional swimmer seems to command the water to help them. You can see it in how a cross country runner needs a water break more often than his teammates. You can see it in the way that one girl in your class always has a water bottle on her desk.
You can see the blood of mermaids in a surfer who can be tossed around underwater for a long time without drowning. You can see it in a teenage boy who doesn’t have to pretend to be unbothered by the pressure when he races his friends to the bottom of a swimming pool. You can see it in the little girl who wades into every stream she sees on a hike without quite knowing why.
You can see the blood of sirens in people who never have a problem with getting people to date them. You can see it in that soprano who can hit notes most of her fellows can only dream of. You can see it in the camp counselor who all the straight girls have a crush on, who can play guitar and sing better than any of the others.
You can see the blood of shapeshifters in the way an actor adjusts their personality to become their character with scary accuracy. You can see it in the subconscious, barely noticeable changes a tween girl’s eyes make to match her outfit better. You can see it in the way you always lose that one friend in a crowd if you’re not careful, because he’s just too good at blending in.
People who carry the blood of werewolves don’t change with the full moon anymore, but you can still see it in the way your best friend always knows something is wrong, though even they don’t know they’re smelling the changes in your body chemistry. You can see it in the way that one guy always seems to eat more than the reasonable amount of red meat at an all-you-can-eat buffet. You can see it in the way that one werido never has a problem when the teacher turns off the lights before a PowerPoint presentation because her eyes adjust quicker and better than yours.
The blood of supernatural creatures may have mostly faded away. But if you look closely, you can still see it.
Trying to find the perfect name for a character, but you only have a vague idea of what you want, like “he feels like a 2-syllable kind of guy” or “It need a hard consonant at the end.”
